Showing posts with label bus. Show all posts
Showing posts with label bus. Show all posts

Monday, 13 July 2020

V is for Voyaging

Transport and communications set the pace of a country, forming its natural heartbeat. In the West, fibre optics and satellite links define the characteristic speed of the nations; the speed of light. With a telephone system so unreliable as to be unusable for long-distance calls, it is transportation which provides the pulse for India's national clock. As a result, the country becomes one defined by voyages.

Paradoxically, the larger distances are closer together in time. The Indian airline system is relatively efficient, and allows you to travel quickly between most major cities. Getting a ticket is another matter; and in any case, the cost for the majority of the population would represent an impossibly high proportion of their annual income. It is as if air travellers moved in a world of their own, untouched by the realities of India. The sealed compartment of the aeroplane voyaging high above the dusty earth is its own metaphor.

At the next level, there are the trains. They form the backbone of the country's transportation system. Indeed, without the extensive railway network, modern India would probably not continue to exist at all. The infrastructure created by the railways is a vital economic resource; without it, the country would slip back into the dark ages. For the network to function even half-way efficiently, it must be managed centrally. Which in its turn requires some form of nationwide organisation, and the existence of a nation. The railways act as the string which holds together the bursting parcel of India.

Trains serve the major cities and towns. Outlying villages rely on buses. Just as the plane is alien to the vast bulk of the population, so the bus is very much of the people. The battered juddering hulks which lumber along dusty roads are the mobile analogues of the ramshackle stalls in the markets, and the patched and poor houses. Like so much at this end of the economic spectrum, buses seem to be held together more by faith than by structural design.

Buses are also found within towns and cities themselves; but as the cities get bigger, the buses become less efficient. Like stranded dinosaurs, they can only look on helplessly as the smaller and more agile beasts weave in and out among them. The new urban mammals take many forms, from familiar ones like taxis, to the stranger centaur-like bicycle rickshaws.

The bulbous-bodied taxis, looking like something out of Britain in the 1950s - which they are - occupy the same place within the city as planes between them. They are relatively luxurious, fast, and prohibitively expensive for most people. The rickshaws are the trains, widely used and ideal for everyday purposes. At the top of the range are the yellow and black moped rickshaws with their reckless drivers and constantly bleating horns, followed by the human-driven bicycle version. And it is the solo bicycle which forms perhaps the commonest method of mechanical transport in India. Everywhere there are numberless shoals of them, swooping in and out of the traffic like minnows. If a symbol of India's modernisation were needed, it would be not the atom bomb but the bike.

A Partial India A to Z

F is for Fatehpur Sikri

As you would expect from an institution largely created for the military, the Agra Cantonment station is neatly laid out on broad lines.  It is carefully structured with separate offices for stationmasters and under-stationmasters, and has numerous bilingual charts and diagrams detailing trains, times and platforms. The town's ldgah bus station, on the other hand, is a pokey hole in a row of undistinguished shops, The battered buses are parked anyhow, and with its drab crumbling walls and stout window-grilles, the ticket office looks more like the entrance to a prison. Yet buses are cheap, uncomplicated and popular, a vital link between cities and the outlying villages. They are a good way to see India the way most Indians do.

From Agra to the village of Fatehpur Sikri by bus costs just Rs 4.60; it takes about an hour to cover the 40 km distance. For all the bus's bone-shaking lurches and leaps, and despite the continual protestations of the grinding gearbox, this turns out to be considerably faster than most trains. Along the way you pass through fields and villages which seem remarkably similar. The fields have the same toiling bullocks, looked after by the same small boy watching you watching him; the villages display the same wares in the same shops, with the same women carrying small snivelling children on their hips as well as miraculously-balanced bundles on their heads. Occasionally a small hill in the distance emerges then disappears in the dusty heat haze.

Fatehpur Sikri is like and totally unlike all these villages. Like in that it has the same shops and the same women; unlike in the massive red sandstone wall which girdles it some kilometres distant. Amidst this inexplicable grandeur, the thin strip of the town's single fly-blown street lies like the shrivelled innards of a giant tortoise, dwarfed now by the massive shell which rests baking but intact in the sun. When the wall was built, Fatehpur Sikri was worthy of it, a mighty city, capital of the Moghul Empire of North India. Today it only draws attention to the vanity of human achievements, a monument to an Indian Ozymandias.

Not only the wall remains. Beside the village is one of the region's rare hills; on it was built the great Jami Masjid mosque, reached by a giant's causeway of red stone, and an extensive complex of palace buildings. These buildings remain to this day, as perfectly preserved as when they were abandoned some four hundred years ago, shortly after being completed. Lack of sufficient water supplies is thought to be the reason.

Whatever the cause, be grateful. Fatehpur Sikri is everyone's coffee  table image of India. The silent brooding sandstone buildings, their dull redness glowing in the midday sun; the deep shadows of the rooms and corridors, starkly contrasted with the glare of the empty courtyards. The architecture, intricate with luxuriant stone swags and minutely-carved columns, the piling up of storeys and towers. The stillness of the pools, and the silence of the open spaces. And around it all, the unending flatness of the Indian plain. Watching from the topmost tower of the palace, you can see a bus's tiny dust cloud bowling towards you along the ribbon of empty road. It is late.

A Partial India A to Z